Video Production Articles

Anamorphic lens effects

Anamorphic lenses are behind some of the most iconic shots in cinema. Their unique characteristics deliver footage with a specific look that movie-lovers and filmmakers fall for over and again.

In this episode of our How To Video series, we’re taking a deep dive into anamorphic lenses, starting with their origins, and how the footage they produce differs from standard lenses. Keep reading to learn how to produce anamorphic footage without breaking the bank, and uncover inspiring ideas for using it in your business videos.

photo rehoused and cinema lenses

When it comes to choosing a lens for a video camera, the world is your oyster. Lens adapters and mounts make it possible to use nearly any type of glass with a video camera that supports interchangeable lenses.

Options are great, of course. However, the sheer volume of choice in lenses can be overwhelming. And, lenses range widely in cost, from $100 all the way to $50,000 and up.

So, how can you be sure you’re making the right choice for your project? In this post, we’ll walk you through the important distinctions between the three major types of lenses, including photography or consumer lenses, rehoused cinema lenses, and true cinema lenses. Watch the video below to see each of these types of lenses in action, and keep reading to gain an in-depth understanding of their pros and cons.

camera lens basics

In this episode of our How To Video series, we’re looking at lenses. The lens you select for your shoot can have a big impact on the resulting footage, as well as the process of filming itself.

To help make sure you know which lens to grab for your next shoot, we’re comparing focal lengths, and the differences between prime and zoom lenses. Watch the video below and keep reading for an overview of how to choose the right lens for your project.

Color Grading in DaVinci

We’ve covered the basics of color grading in Adobe Premiere, and the details of a professional workflow using DaVinci Resolve and Adobe Premiere. In this episode of our How To Video series, we’re taking it a step further to show you exactly how to color grade your footage with the same software the pros use.

Color grading isn’t just about making sure the reds, greens, and blues are all in balance. It’s also where you can remove blemishes, or highlight specific aspects of your image to get the exact look you want.

Watch the tutorial below and keep reading for an in-depth guide to color grading using DaVinci Resolve.

Color Grading Workflow in DaVinci and Adobe

In the first episode of our color grading tutorial series, we covered basic fundamentals in Adobe Premiere. Now, we’re going to show you how to incorporate DaVinci Resolve, a professional color grading tool, into your Adobe Premiere editing workflow.

Here’s how to make the round trip from Adobe to DaVinci and back more seamless and less error-prone. These tips take the guesswork out of the color grading process.

color grading for video

Color grading is an advanced video editing technique. It allows you to edit the way colors appear on film in post-production. With color grading, you can make scenes more lifelike, achieve a specific look, or infuse emotion into a scene.

In this three-part tutorial on color grading, we’ll cover everything, from basic fundamentals to advanced techniques. Although this tutorial is based on Adobe Premiere Pro and DaVinci Resolve, the process is essentially the same no matter what software you’re using.

Let’s dive into the first episode – color grading fundamentals in Adobe Premiere Pro!

Still Life Video Shoot Lighting Setup

Tabletop shooting is a very specific type of video shoot that can be really hard to get right. Also referred to as still life shooting, it’s very much what it sounds like. Usually, an object is filmed on top of a flat surface in great detail.

Think products, tutorials, or stop motion videos. These classic examples of tabletop filming require a certain level of perfectionism to get right.

In this episode of our How To Video series, Nick LaClair, head of video production for SproutVideo, will walk you through how to properly light a still life video shoot. We’ll specifically address the challenges posed by regular stationary objects, shiny objects, and beverages, with tips for enhancing the end result.

Camera Kits Pros and Cons

When it comes to professional cameras, there is no such thing as “one size fits all”. In this episode of our How To Video series, Nick LaClair, head of video production at SproutVideo, sits down with Michael Rubenstein, freelance photographer and director, to talk about the camera kits they use in the real world on a typical shoot.

They’re two video experts, with two really different cameras – a Sony FS7, and a mirrorless AS7ii. So, which is best? Turns out, it’s not that simple as there are pros and cons to each.

Watch the video below to get a hands-on comparison of footage quality, functionality, and other factors that can make a real difference when choosing which camera to work with.

Whether you’re shooting on location, or have offices in different cities, your entire video team is rarely in one place. So, how do you ensure your remote team is communicating effectively, and working efficiently?

Partly from our own experience, we’ve found there are specific tactics you can employ at different stages of the video production process to keep everyone on the same page, and as productive as possible, no matter where they’re located. Keep reading for tips on improving your workflow with remote video teams.

Example of a Video Camera

When it comes to picking a video camera, it’s not just about image quality. The camera also has to offer the type of battery life, audio inputs, video outputs, ergonomics, and image control options to suit your project.

In this episode of our How To Video series, we’ll walk you through what you can expect from different tiers of video cameras for each of those five factors. We’ll also explain why each one is important to consider when selecting a camera for your project.

SproutVideo

Video Production Posts

Amazing Anamorphic: Add Cinematic Flair to Your Footage

A Closer Look at Lens Types: Photo, Rehoused, and Cinema

Optimal Optics: a Primer on Lenses

Making the Grade: How to Color Grade Like a Pro

Optimize Your DaVinci and Adobe Premiere Workflow

Color Grading Fundamentals in Adobe Premiere Pro

The Simple Trick to Lighting Still Life Video Shoots

Real World Lessons on the Camera Features That Count

How to Collaborate Effectively With a Remote Video Team

The Five Video Camera Features You Need to Know

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